EDITORIAL

Towards a New Symposium... 

 

 

Dear members of the IDOCDE Community,

The time of change is upon us. In our most recent editorial we finally get to introduce the major changes IDOCDE will be going through in the coming year. Some are structural, some methodological, some aesthetic in nature. All of them, and together, total.

One of the great challenges has been and continues to be coördination. To experience change, to self-regulate through change, to track change, and communicate change––a humbling endeavour, which ever your approach.

Thank you for your patience and continued support. 

This is just the beginning. More updates will be shared in the coming months, including an OPEN CALL geared towards the symposium of the summer of 2023.

From stormy London with Love,
pavleheidler (they/them) (ADHD-autism) coördinator of the IDOCDE website


Food For The Day
what dances and agencies are triggered by these terms?
By Sabina Holzer
Do you go a little further?
By Defne Erdur
Are we documenting what happened or what we experienced?
By Ulla Mäkinen

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[deu] Making Sense through Sensation
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Thinking Bodies in Dance. A somatic R.E.A.Ch.
introduction to a Ph.D. in intermedial and somatic dance practices.
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Dancing To Silence: Becoming 'Ear-Body'
Dance and music commonly come hand in hand, but many professional dancers prefer dancing to silence. Why is that?
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Mind the Dance

MIND THE DANCE is a collection of essays, manuals, scores, exercises, and maps; giving voice to a multitude of stances, ideas, and applications in and around documenting movement. It aims to motivate and empower the reader-teacher-artist to use creative documenting to enhance their teaching and artistic practice.

The IDOCDE project REFLEX Europe was acknowledged as one of the top 5 projects out of the 500 Strategic Partnership Projects by the Austrian National Agency of Erasmus+ Education.

for more information, please follow the link.

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How is landscape informing – inwardly forming – our movement and dance? And how is dance/movement in-forming our perception of landscape? Is landscape already dancing? Do we just have to...
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