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improvisation organization contact improvisation performance contact head anatomy reaction teaching body Contact co-teaching teaching together improvisation/composition Andrew Harwood animals release technique site-specific contemporary technique space embodiment structure contact contact improvisation amateurs social body Teaching Practice Contact Improvisation exercices Student Feedbacks Partner Work Acrobatics Contact improvisation technique body intuition Teaching Notes Contact Improvisation dancing in nature technique and intuition playfulness in/out of contact dance improvisation Skinner Releasing Technique research presentation Somatics Theory Eclectic Dances BMC® Physical involvment contact-improvisation Improvisation inclusive dance visual impaired contact sound improvisation contact group releasing technique improvisation contact group Brasilian Jiu Jitsu strength floor work Contact improvisation integration reflection Movement Research Contact-Improvisation yoga laboratory work improvisation score contactimprovisation surfing improvisation class Improvisation Attention Space spine dance education contact improvisation somatics touch translation contact improv mixed ability contact improvisation Training MAD dance ability Mixed ability Contact Improvisation MAD Dance ability Training documenting mixed ability danceability contact improvisation training teaching breathing tantra Teaching Practice contactimprovisation Mind Contact improvisation martial arts consent and boundaries Connecting people contact improvisation democracy activism games play dialogue physical listening pedagogy choice-making Exploration Subversive Impulstanz 2016 experiential anatomy teachers meeting festival consent sexuality solo improvisation weight tossing improvisation scores trios partnering Safety Movement Patterns Lab tried and true teaching methods teaching questions Visual media Report Teachers Meeting facilitation Body Mind Centering Embriology Feldenkrais authentic movement laboratory rolling Speaking personal experience somatics Laban/Bartenieff Contact Improvisation Practice Performing
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Reflection on the 10th Kontakt Budapest International Improvisati...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
Improvising Contact Improvisation - Study lab report
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
WIT / walkinhabittouch
This document offers several ways of the recording / capturing of Tamás's class. It contains a transcription with notes by Eszter and Tamás; a PDF image collage reflection of Zol...
This document offers several ways of the recording / capturing of Tamás's class. It contains a transcription with notes by Eszter and Tamás; a PDF image collage reflection of Zol...
By [Multiple Creators]
2012.06.16
2012.06.16
0 appreciations 
523 viewsRATATOUILLE A LA CONTACT
An idea about teaching CI in secondary school... This article was published in Contact Quarterly in 2010.
An idea about teaching CI in secondary school... This article was published in Contact Quarterly in 2010.
Peter Pleyer teaching in Budapest 2012
Peter Pleyer taught a weekend workshop in Budapest as part of the 5th Contact and Improvisation Celebration Day - CI 40! at Trafó. It is a video documentation of his Sunday class...
Peter Pleyer taught a weekend workshop in Budapest as part of the 5th Contact and Improvisation Celebration Day - CI 40! at Trafó. It is a video documentation of his Sunday class...
By [Multiple Creators]
2012.11.15
2012.11.15
1 appreciation 1184 viewsThe Head and Upper Extremities in Contact Improvisation
This is a paper I wrote for my MA studies in Contemporary Dance Pedagogy in Frankfurt am Main. Since then, I've taken this work to a class called "Head First", researching the role...
This is a paper I wrote for my MA studies in Contemporary Dance Pedagogy in Frankfurt am Main. Since then, I've taken this work to a class called "Head First", researching the role...
Kontakt Budapest 2012
This is an edited video of the Kontakt Budapest 11th International Improvisation Festival, took place in Budapest from the 2nd to the 8th of July, 2012 at SÍN Culture Center. Vi...
This is an edited video of the Kontakt Budapest 11th International Improvisation Festival, took place in Budapest from the 2nd to the 8th of July, 2012 at SÍN Culture Center. Vi...
[hun] Contango Workshop plan
co-teaching with Tamás Bakó how we mix contact improvisation and argentin tango it is in hungarian - still - :) later I will post how the class changed and why.
co-teaching with Tamás Bakó how we mix contact improvisation and argentin tango it is in hungarian - still - :) later I will post how the class changed and why.
By [Multiple Creators]
2012.08.11
2012.08.11
0 appreciations 466 viewsimpressions at the Stolzenhagen meeting 2012 August
Please find here some of the pics I made in silence, in witnessing somebody else, in working on how to document our processes.
Please find here some of the pics I made in silence, in witnessing somebody else, in working on how to document our processes.
co-teaching (interview Andrew Harwood & Chris Aiken, part 1)
A video-skype interview of Andrew Harwood and Chris Aiken, who teach together improvisation and contact-improvisation, since several years. What is co-teaching ? How to teach t...
A video-skype interview of Andrew Harwood and Chris Aiken, who teach together improvisation and contact-improvisation, since several years. What is co-teaching ? How to teach t...
This project has been funded with support from the European Commission.