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group score practice improvisation composition performance Research Group Investigation audience behavior interaction group behavior sociology Laban/Bartenieff symposium activity Live Documentation Group discussion/reflection improvisation contact group improvisation contact games non proffesional ball technique partnering Games Humour Group relations Rules Improvisation Group behavior Chance operation Form[less]? somatic teaching improvisation individual group autonomy creativity functionality organization contact improvisation co-authorship recycling site-specific workshop parkinson's inclusive dance play drawing instant composition authentic movement creative process preparation relationship Improvisation / Game improvisation score Duo/dialogue Dance score Drawing contact Somatic / Contact somatics head anatomy reaction Contemporary Dance strengh power improvisation documenting Ana Stegnar Teaching Practice teaching methods Teaching research Ana Stegnar and Body-Mind Centering® BMC® decisions story public space teaching Improvisation Teaching Feedback Questions Answers look assessment student evaluation improvisation/composition Teaching interests non-interests questions improvisation body co-teaching teaching together Andrew Harwood animals release technique contemporary technique extempore Contemporary Dance Juliana Neves improvisation composition dance circus choreography lab pedagogy Image Perception; improvisation Symposium activity Composition class technique class improvisation/composition somatics Contemporary Dance Florance Augendre improvisation Teaching Practice fascia anatomy improvisation documentation Improvisation - contemporary dance Improvisation for performers Exploration Space Class formats space embodiment structure contact improvisation Books Writing Drawing Reading Overlapping Documentation somatics internal martial arts partnering spiraling improvisation preparation ritual improvisation co-teaching improvisation performance object yoga contact improvisation amateurs social body dance improvisation society Contact Improvisation Teaching Notes Student Feedbacks Teaching Practice exercices Partner Work Acrobatics Contact improvisation technique body intuition Ballet for Beginners Improvisation/Contemporary Dance for Classical Dancers Contact Improvisation dancing in nature technique and intuition teaching methods "looking" in our brainmap Costume Performance Somatics Whirling/Spinning Somatics Improvisation Pushing-Bounderies Higher-Awareness Consciousness Subconsciousness Amplification choreography Somatics Improvisation Breath Work Contemporary Dance speaking and moving improvisational scores playfulness in/out of contact dance improvisation Improvisation Somatic Dance Therapy Life Education Movement Research Skinner Releasing Technique research presentation Somapoétique Body Memory dance language literature improvisation Exploration experimental Experience philosophy essence being improvisation class music Theory Somatics Improvisation movement exploration society and awareness Eclectic Dances Physical involvment contact-improvisation language improvisation dance movement therapy creative writing discussion imagery self reflection body memory embodiment Contemporary Dance improvisation floor work sharing in home country Improvisation Somatic Integrated dance Environmental dance choreo-lab improvisation & composition Improvisation inclusive dance visual impaired contact sound Tempo Duration improvisation acting movement exploration releasing technique movement and voice breathing improvisation kinesthetics collaboration experiential anatomy improvisation Brasilian Jiu Jitsu strength floor work mapping sensorial Improvisation Choreography Contemporary Dance duration Contact improvisation somatics intuitive movement connectedness improvisation creativity somatics improvisation Partnering improvisation class salsa all kind of couple dancing with contemporary choreographic protocols work with children creative movement mind Exploration Improvisation Skin Somatics Co-teaching Memory Improvisation Learning Exploration improvisation documentation performing Improvisation Dramaturgy Dance Teaching Spoken Word Somatics Writing. transposition of media multitasking scores teenagers action OSDYRE improvisation class creative process contemporary mainly release technique improvisation somatics ballet ballet modern improvisation somatics neuromuscular fascilitation sensorial exchange improvisation live composition all levels silence Helenita Sá Earp Dance Fundamentals horizontality real time composition somatics improvisation contact improvisation Training mixed ability advanced Contact Improvisation integration reflection improvisation contemporary sensitivity Contacts dance improvisation nature Training Technique class Technique class improvisation improvisation awareness spontaneity interaction dance Instant Composition sensing listening the how more than the what… Movement voice improvisation teaching movement exploration teaching contemporary teachnique inclusive improvisation choreography teaching contemporary teachnique inclusive improvisation choreography arts and craft Space Laban voice work breathing organs Movement Research motivs to move physical awareness functional structures and organic tissue Conact Improvisation teaching reflection perception non-dancers Contact-Improvisation Somatics and other tools for movement creation improvisation composition and performance. choreography practice perceiving receptivity input/output improvisation not knowing vs knowing repeating yourself repeating others forgetting and remembering dramaturgy outside eye. spending time alone in the studio vs taking a walk ways of seeing making making decisions objects what objects language writing re writing somatic teaching functional imagination autonomy laboratory work contactimprovisation Class for Improvisation/Composition for a class for dance students at the zhdk . light nature Teaching Festival indeterminableness in dancing improvisational dance work graphic art students surfing Music teaching improvisation ear training. class description music appreciation ear training improvisation Attention improvisation class repertory spine discussion metaphor duet documentation dance dance education contact improvisation somatics translation touch contact improv somatics touch translation contact improv Documentation improvisation language relationships dynamics rythm qualities somatics improvisation class dance education body awareness nature elements Cognitive science Embodied Creativity improvisation scores Somatics performance somatics improvisation embodied practice Choreographic designs and Improvisation scores Interdependence and Relation Cultivation of a Physical Culture Flocking Behaviour improvisation politics common good democracy sensorimotor development poetry symposium Lecture isolation somatics improvisation score improvisation and Taiji-partner-work Contact Improvisation mixed ability teaching mixed ability contact improvisation Training MAD dance ability Mixed ability Contact Improvisation MAD Dance ability Training documenting mixed ability danceability contact improvisation training teaching Teaching strategies experiential anatomy tantra awareness patterns Tuning scores history Teaching Practice contactimprovisation Age 55+ Mixed Abilities Mind Intuition Gaga teaching contemporary professional training improvisation democracy narrative common good viewpoints Anarchy Postmodernism Contact improvisation martial arts consent and boundaries technology score improvisation sociology somatic practices real time choreography liquid society Zygmunt Bauman symposium proposal ensemble citizenship Connecting people contact improvisation democracy activism games play dialogue physical listening pedagogy choice-making Subversive Impulstanz 2016 highlighted space mentally disabled Video Improvisation Movement Research Documentation Drawing Visual Landscape teaching Modern Dance children dance improvisation imagination technique class description teachers meeting festival emotions consent sexuality solo improvisation weight tossing Fake Healing shamanic ritual trios Choreography Improvisation Safety Movement Patterns Lab tried and true teaching questions Visual media Report Teachers Meeting facilitation Body Mind Centering Embriology Feldenkrais laboratory rolling Speaking Consent intimacy personal experience sound somatics improvisation sound improvisation walking listening somatics Contact Festival Freiburg 2023 Contact Improvisation Practice Performing
294 matches found |
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Collective Sensations practice - reconstructed from a partial mem...
I am fascinated in general by the creativity inherent in mistakes (superglue and penicillin for example were mistakes). More particularly, in a teaching situation where what seems...
I am fascinated in general by the creativity inherent in mistakes (superglue and penicillin for example were mistakes). More particularly, in a teaching situation where what seems...
8 appreciations 1446 views
Teaching Improvisation in the Context of a Professional Contempor...
This is a MA seminar paper from 2009. Since writing it then I have changed my views on the relationship between improvisation, composition and exploration. Still I choose to share...
This is a MA seminar paper from 2009. Since writing it then I have changed my views on the relationship between improvisation, composition and exploration. Still I choose to share...
1 appreciation 587 views
Photo Improvisation - an investigation of basic connections
This is something you can approach as a group. One can be the photographer, one can be in front of the lens and one or more can witness the process from the sideline. You don't nee...
This is something you can approach as a group. One can be the photographer, one can be in front of the lens and one or more can witness the process from the sideline. You don't nee...
0 appreciations 638 views
Anticipating audience behavior in interactive performance
A short essay that I wrote in 2005 during my studies at Dance Unlimited/Amsterdam Master of Choreography, following my research about audience interaction.
A short essay that I wrote in 2005 during my studies at Dance Unlimited/Amsterdam Master of Choreography, following my research about audience interaction.
0 appreciations 721 views
Teaching the Values of Practice and the Practice of Values in HE.
This presentation reflects on the experience of developing an integrated approach to technical and creative study within a dance conservatoire setting in the higher education secto...
This presentation reflects on the experience of developing an integrated approach to technical and creative study within a dance conservatoire setting in the higher education secto...
By [Multiple Creators]
2013.04.18
2013.04.18
1 appreciation 2393 views
Bodies and mass
The workshop is divided in 3 parts, the first is a time for each one to feel his own flesh, the second is about how fleshes can be part of a moving mass, and then the third is to p...
The workshop is divided in 3 parts, the first is a time for each one to feel his own flesh, the second is about how fleshes can be part of a moving mass, and then the third is to p...
0 appreciations 682 views
Partnering workshop - Being together
Partnering workshop - Being together Audience: 20 amateur dancers « Sentir la Fibre » - workshops organized by the Centre Chorégraphique National Rillieux-la-Pape (CCNR)...
Partnering workshop - Being together Audience: 20 amateur dancers « Sentir la Fibre » - workshops organized by the Centre Chorégraphique National Rillieux-la-Pape (CCNR)...
1 appreciation 559 views
how create movements without trying to create it?
Here is a focus on a game I like to use with non professionnal groups. Made from very simple and common rules the idea is to go into movement without conscience and then realize th...
Here is a focus on a game I like to use with non professionnal groups. Made from very simple and common rules the idea is to go into movement without conscience and then realize th...
1 appreciation 533 views
Animal Instinct - Progressive movement education
Animal instinct is an ongoing movement research. The hardcore of this practice is to gain freedom in motion. By moving away from any ideology, style or form, we can reexamine our p...
Animal instinct is an ongoing movement research. The hardcore of this practice is to gain freedom in motion. By moving away from any ideology, style or form, we can reexamine our p...
1 appreciation 518 views
[fra] LEAP local meeting 7 mai 2015 Grenoble FRANCE
"Sans rire!" Jeu, humour et légèreté dans l'enseignement de la danse "In earnest !" Game, humour and lightness in the dance teaching
"Sans rire!" Jeu, humour et légèreté dans l'enseignement de la danse "In earnest !" Game, humour and lightness in the dance teaching
By [Multiple Creators]
2015.07.01
2015.07.01
0 appreciations 2463 views