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audience behavior interaction group behavior sociology games non proffesional ball Improvisation Group behavior Chance operation Form[less]? group collaboration score practice improvisation composition performance Research Group Investigation group exchange Laban/Bartenieff symposium activity Live Documentation Group discussion/reflection improvisation contact group improvisation contact technique partnering Games Humour Group relations Rules somatic teaching improvisation individual group autonomy creativity functionality
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Anticipating audience behavior in interactive performance
A short essay that I wrote in 2005 during my studies at Dance Unlimited/Amsterdam Master of Choreography, following my research about audience interaction.
A short essay that I wrote in 2005 during my studies at Dance Unlimited/Amsterdam Master of Choreography, following my research about audience interaction.
how create movements without trying to create it?
Here is a focus on a game I like to use with non professionnal groups. Made from very simple and common rules the idea is to go into movement without conscience and then realize th...
Here is a focus on a game I like to use with non professionnal groups. Made from very simple and common rules the idea is to go into movement without conscience and then realize th...
Overcoming form by chance operation
What is form? How do we perceive form? I like to think of form as a pre-conceived notion of a process or transformation. Could chance operations overcome such form?
What is form? How do we perceive form? I like to think of form as a pre-conceived notion of a process or transformation. Could chance operations overcome such form?
Collective Sensations practice - reconstructed from a partial mem...
I am fascinated in general by the creativity inherent in mistakes (superglue and penicillin for example were mistakes). More particularly, in a teaching situation where what seems...
I am fascinated in general by the creativity inherent in mistakes (superglue and penicillin for example were mistakes). More particularly, in a teaching situation where what seems...
Teaching Improvisation in the Context of a Professional Contempor...
This is a MA seminar paper from 2009. Since writing it then I have changed my views on the relationship between improvisation, composition and exploration. Still I choose to share...
This is a MA seminar paper from 2009. Since writing it then I have changed my views on the relationship between improvisation, composition and exploration. Still I choose to share...
Photo Improvisation - an investigation of basic connections
This is something you can approach as a group. One can be the photographer, one can be in front of the lens and one or more can witness the process from the sideline. You don't nee...
This is something you can approach as a group. One can be the photographer, one can be in front of the lens and one or more can witness the process from the sideline. You don't nee...
Teaching the Values of Practice and the Practice of Values in HE.
This presentation reflects on the experience of developing an integrated approach to technical and creative study within a dance conservatoire setting in the higher education secto...
This presentation reflects on the experience of developing an integrated approach to technical and creative study within a dance conservatoire setting in the higher education secto...
By [Multiple Creators]
2013.04.18
2013.04.18
1 appreciation 
2368 viewsBodies and mass
The workshop is divided in 3 parts, the first is a time for each one to feel his own flesh, the second is about how fleshes can be part of a moving mass, and then the third is to p...
The workshop is divided in 3 parts, the first is a time for each one to feel his own flesh, the second is about how fleshes can be part of a moving mass, and then the third is to p...
This project has been funded with support from the European Commission.