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improvisation organization contact improvisation performance contact Somatic / Contact Improvisation head anatomy reaction teaching body co-teaching teaching together improvisation/composition Andrew Harwood animals release technique site-specific contemporary technique space embodiment structure contact contact improvisation amateurs social body Contact Improvisation Teaching Notes Student Feedbacks Teaching Practice exercices Partner Work Acrobatics Contact improvisation technique body intuition Contact Improvisation dancing in nature technique and intuition playfulness in/out of contact dance improvisation Skinner Releasing Technique research presentation Somatics Theory Eclectic Dances BMC® Physical involvment contact-improvisation Improvisation inclusive dance visual impaired contact sound improvisation contact group releasing technique improvisation contact group Brasilian Jiu Jitsu strength floor work Contact improvisation somatics improvisation contact improvisation Training mixed ability advanced Contact Improvisation integration reflection Movement Research Contact-Improvisation yoga laboratory work improvisation score contactimprovisation surfing improvisation class Attention Space spine dance education contact improvisation somatics touch translation contact improv Contact Improvisation mixed ability teaching mixed ability contact improvisation Training MAD dance ability Mixed ability Contact Improvisation MAD Dance ability Training documenting mixed ability danceability contact improvisation training teaching breathing tantra Teaching Practice contactimprovisation Age 55+ Mixed Abilities Mind Contact improvisation martial arts consent and boundaries Connecting people contact improvisation democracy activism games play dialogue physical listening pedagogy choice-making Exploration Subversive Impulstanz 2016 experiential anatomy teachers meeting festival consent sexuality solo improvisation weight tossing Fake Healing shamanic ritual improvisation scores trios partnering Safety Movement Patterns Lab tried and true teaching methods teaching questions Visual media Report Teachers Meeting facilitation Body Mind Centering Embriology Feldenkrais authentic movement laboratory rolling Speaking Consent intimacy personal experience somatics Laban/Bartenieff Contact Improvisation Practice Performing health co-authorship recycling score workshop parkinson's inclusive dance play drawing instant composition creative process preparation relationship Improvisation / Game composition Duo/dialogue Dance score Drawing Contemporary Dance strengh power improvisation documenting Ana Stegnar Teaching Practice teaching methods Teaching research Ana Stegnar technique and Body-Mind Centering® decisions story public space Improvisation Teaching Feedback Questions Answers look assessment student evaluation Teaching interests non-interests questions improvisation extempore Contemporary Dance Juliana Neves improvisation composition dance circus choreography lab pedagogy Image Perception; improvisation Symposium activity Composition class technique class improvisation/composition somatics Contemporary Dance Florance Augendre improvisation Teaching Practice fascia anatomy improvisation documentation Improvisation - contemporary dance Improvisation for performers Class formats improvisation Books Writing Drawing Reading Overlapping Documentation somatics internal martial arts partnering spiraling improvisation preparation ritual improvisation co-teaching improvisation performance object dance improvisation society Ballet for Beginners Improvisation/Contemporary Dance for Classical Dancers "looking" in our brainmap Costume Performance Whirling/Spinning Somatics Improvisation Pushing-Bounderies Higher-Awareness Consciousness Subconsciousness Amplification choreography Somatics Improvisation Breath Work Contemporary Dance speaking and moving improvisational scores Improvisation Somatic Dance Therapy Life Education Movement Research Somapoétique Body Memory dance language literature improvisation Exploration experimental Experience philosophy essence being music Somatics Improvisation movement exploration society and awareness language improvisation dance movement therapy creative writing discussion imagery self reflection body memory embodiment Contemporary Dance improvisation floor work sharing in home country Improvisation Somatic Integrated dance Environmental dance choreo-lab improvisation & composition Tempo Duration improvisation acting movement exploration movement and voice breathing improvisation kinesthetics collaboration experiential anatomy improvisation mapping sensorial Improvisation Choreography Contemporary Dance practice duration somatics intuitive movement connectedness improvisation creativity somatics improvisation Partnering improvisation class salsa all kind of couple dancing with contemporary choreographic protocols work with children creative movement mind Exploration Improvisation Skin Somatics Co-teaching Memory Improvisation Learning Exploration improvisation documentation performing Improvisation Dramaturgy Dance Teaching Spoken Word Somatics Writing. transposition of media multitasking scores teenagers action OSDYRE improvisation class creative process contemporary mainly release technique improvisation somatics ballet Form[less]? ballet modern improvisation somatics neuromuscular fascilitation sensorial exchange symposium activity improvisation live composition all levels silence Helenita Sá Earp Dance Fundamentals horizontality real time composition improvisation contemporary sensitivity dance improvisation nature Training Technique class Technique class improvisation improvisation awareness spontaneity interaction dance Instant Composition sensing listening the how more than the what… Movement voice improvisation teaching movement exploration teaching contemporary teachnique inclusive improvisation choreography teaching contemporary teachnique inclusive improvisation choreography arts and craft Space Laban voice work organs motivs to move physical awareness functional structures and organic tissue Group behavior Chance operation Conact Improvisation teaching reflection perception non-dancers Somatics and other tools for movement creation improvisation composition and performance. choreography practice perceiving receptivity input/output improvisation not knowing vs knowing repeating yourself repeating others forgetting and remembering dramaturgy outside eye. spending time alone in the studio vs taking a walk ways of seeing making making decisions objects what objects language writing re writing somatic teaching functional imagination autonomy somatic teaching improvisation individual group autonomy creativity functionality Class for Improvisation/Composition for a class for dance students at the zhdk . light nature Teaching Festival indeterminableness in dancing improvisational dance work graphic art students Music teaching improvisation ear training. class description music appreciation ear training improvisation improvisation class repertory discussion metaphor duet documentation dance Documentation improvisation language relationships dynamics rythm qualities somatics improvisation class dance education body awareness nature elements Cognitive science Embodied Creativity Somatics performance somatics improvisation embodied practice Choreographic designs and Improvisation scores Interdependence and Relation Cultivation of a Physical Culture Flocking Behaviour improvisation politics common good democracy sensorimotor development poetry symposium Lecture isolation somatics improvisation score improvisation and Taiji-partner-work Research Teaching strategies awareness patterns Tuning scores history Intuition Gaga teaching contemporary professional training improvisation democracy narrative common good viewpoints Anarchy Postmodernism technology score improvisation sociology somatic practices real time choreography liquid society Zygmunt Bauman symposium proposal ensemble citizenship highlighted space mentally disabled Video Improvisation Movement Research Documentation Drawing Visual Landscape teaching Modern Dance children dance improvisation imagination technique class description emotions Choreography Improvisation sound somatics improvisation sound improvisation walking listening somatics
286 matches found |
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Reflection on the 10th Kontakt Budapest International Improvisati...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
3 appreciations 1134 views
Improvising Contact Improvisation - Study lab report
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
8 appreciations 1447 views
WIT / walkinhabittouch
This document offers several ways of the recording / capturing of Tamás's class. It contains a transcription with notes by Eszter and Tamás; a PDF image collage reflection of Zol...
This document offers several ways of the recording / capturing of Tamás's class. It contains a transcription with notes by Eszter and Tamás; a PDF image collage reflection of Zol...
By [Multiple Creators]
2012.06.16
2012.06.16
0 appreciations 536 views
RATATOUILLE A LA CONTACT
An idea about teaching CI in secondary school... This article was published in Contact Quarterly in 2010.
An idea about teaching CI in secondary school... This article was published in Contact Quarterly in 2010.
0 appreciations 430 views
Peter Pleyer teaching in Budapest 2012
Peter Pleyer taught a weekend workshop in Budapest as part of the 5th Contact and Improvisation Celebration Day - CI 40! at Trafó. It is a video documentation of his Sunday class...
Peter Pleyer taught a weekend workshop in Budapest as part of the 5th Contact and Improvisation Celebration Day - CI 40! at Trafó. It is a video documentation of his Sunday class...
By [Multiple Creators]
2012.11.15
2012.11.15
1 appreciation 1191 views
The Head and Upper Extremities in Contact Improvisation
This is a paper I wrote for my MA studies in Contemporary Dance Pedagogy in Frankfurt am Main. Since then, I've taken this work to a class called "Head First", researching the role...
This is a paper I wrote for my MA studies in Contemporary Dance Pedagogy in Frankfurt am Main. Since then, I've taken this work to a class called "Head First", researching the role...
2 appreciations 841 views
Kontakt Budapest 2012
This is an edited video of the Kontakt Budapest 11th International Improvisation Festival, took place in Budapest from the 2nd to the 8th of July, 2012 at SÍN Culture Center. Vi...
This is an edited video of the Kontakt Budapest 11th International Improvisation Festival, took place in Budapest from the 2nd to the 8th of July, 2012 at SÍN Culture Center. Vi...
0 appreciations 576 views
[hun] Contango Workshop plan
co-teaching with Tamás Bakó how we mix contact improvisation and argentin tango it is in hungarian - still - :) later I will post how the class changed and why.
co-teaching with Tamás Bakó how we mix contact improvisation and argentin tango it is in hungarian - still - :) later I will post how the class changed and why.
By [Multiple Creators]
2012.08.11
2012.08.11
0 appreciations 473 views
impressions at the Stolzenhagen meeting 2012 August
Please find here some of the pics I made in silence, in witnessing somebody else, in working on how to document our processes.
Please find here some of the pics I made in silence, in witnessing somebody else, in working on how to document our processes.
1 appreciation 486 views